Watercolours & Drawings

Jacob Van Der Ulft: Buildings near the Acqua Acetosa, Roman Campagna

£1,250

A 17th century wash drawing by Jacob Van Der Ulft showing buildings near the Acqua Acetosa, Roman Campagna.
Inscribed and dated ‘Aqua Citola 1674’ (on verso)
Pen and brown ink, brown wash, (oxidized), pencil framing lines, minor ink gall damage to the bottom edge
Presented in a crem coloured mount and giltwood frame
Height 11 cm (4.25 inches) excluding frame. 43 cm (17 inches) inc. frame
Width 21 cm (8.25 inches) excluding frame. 31 cm (12.25 inches) inc. frame
Dated 1674 (verso)

A view of the same scene is to be found in the collection of the Chatsworth Settlement (here illustrated)

Jacob Van Der Ulft (Gorinchem 1627-1689 Noordwijk)

Jacob van der Ulft was a dilettante draftsman. He was the burgomaster of Gorkum, in the Netherlands, from 1660 to 1679. Although he never went to Rome he depicted numerous Roman and Italian views. His sources of inspiration were the prints and drawings of a fellow dilettante draftsman: Jan de Bisschop. The two men may have worked together, but it is also possible that van der Ulft acquired many of de Bisschop’s drawings at auction in 1677 (see P. Schatborn, Drawn to Warmth. 17th Century Dutch Artists in Italy, exhib. cat., Amsterdam, Rijksmuseum, 2001, pp. 196-199). Most of der Ulft drawings, like the present sheet, are in pen and ink, brush and wash. The view depicted here appears to be an imaginary assemblage of Roman buildings rather than a real site.

Paintings by Van der Ulft are quite rare and can be found in some of the world’s leading museums, including the Rijksmuseum, Amsterdam, the Frans Hals Museum, Haarlem, the Hermitage, St-Petersburg and the Mauritshuis, The Hague, which holds his Italianate Landscape with an Advancing Army of 1671  The artist was an active draughtsman, and a considerable number of drawings by him has survived, including works in the Herzog Anton Ulrich Museum in Braunschweig, the Teylers Museum, Haarlem, the Pushkin Museum, Moscow, the Huntingdon Library, San Marino and the Weimarar Klassik und Kunstsammlungen, Weimar.

Although Van der Ulft is likely to have drawn for his own amusement, something like an amateur, ‘painterly’ drawings such as this sheet were also eagerly acquired by contemporary collectors of ‘papierconst’.

Provenance:

Nonesuch Gallery, London

Private collection, Netherlands
The present view is taken from the countryside near Rome, in an area called Acqua Acetosa, now part of the Roman conurbation but once beyond the city’s perimeter. The building in the foreground with the crenelated tower and thin chimneys is very similar to that in the roughly contemporary eching by Herman van Swanevelt from 1652, Veduto daqua assuttosa for di Roma (“View of the Acqua Acetosa’). For a more closely comparable view of this edifice, Pierre Henri de Valenciennes’ drawing in the Louvre, Paris, shows the same building almost unchanged a century or so after the present view. A drawing attributed to Jan de Bisschop (an attribution that seems probable) was recently sold from the Ullmann collection which depicts the same edifice as in the present work, suggesting a possible source for our sheet
(View of a castle in Italy, sold at Beaussant-Lefèvre, Paris, 11.02.2022, Lot 284) (here illustrated).
Jacob van der Ulft was an amateur draughtsman and painter, though he was evidently well-trained in both fields and remarkably prolific for a non-professional artist. Arnold Houbraken, the seminal biographer of Dutch artists of the i7th century, stated that Van der Ulft had in fact never been to Italy; however, he wrote that the artist painted ‘Roman or Italian views…and did so in such a way that (although he had never been to Rome) people who had travelled in Italy recognised the same at first glance’
. Van der Ulfe’s
oeuvre comprised paintings in oil and gouache, as well as a large number of drawings like the present work, many of which are closely related to those of Jan de Bisschop, who had learned to draw from Bartholomeus Breenbergh. Indeed, many are actually direct copies after de Bisschop’s
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SKU: C5022